Two brothers.
Too much editing.

Before Monkeygun we built Curbily — a production OS and creator marketplace — and ran real content pipelines through it every week, for our own companies and for other people's. The work we loved was deciding what to say. The work that ate the week was everything after: scripts into timelines, footage into cuts, captions, exports, the same edit in five sizes.

The first proof was tokenslop: a channel that turned live crypto data into short videos every day with no person in the loop. Once that worked, the question was obvious. If the source is real and the intent is clear, why does a human have to touch a timeline at all? A karaoke lounge with a folder of room shots, a telehealth brand with product pages, a cookbook that doesn't exist yet — they all have sources. They all need video.

So we built the general version: one director that reads any source, a render engine that draws every frame from code so nothing is a template, and the channel → show → series → episode structure from actually running media properties.